ARGUS PAUL
  • Photography
    • New >
      • A Sight More
    • Completed Works >
      • Where Do We
      • Fare Adjustment
      • A DREAM TO FIGHT FOR
      • How to Draw a Line
      • Reflections Inside The Seoul Metro
      • Stage Left
      • This Is Not an Exit
      • School Memories: The Loss in Danwon High
      • Heartfelt Welcome
      • Losing Face
      • Wrestling In The Streets Of Seoul
  • Erasure Poetry
  • Articles / Interviews / Features
    • LENSCRATCH | Argus Paul Estabrook: Half Eye, Half I
    • UP Photographers | Interview with Argus Paul Estabrook
    • Life Framer Journal | Looking Out and In With ARGUS PAUL ESTABROOK
    • LensCulture Street Photography Awards 2021 | Reflections Inside the Seoul Metro
    • ‘What life is about’: LensCulture street photography awards – in pictures
    • New narratives: BJP International Photography 2021 Award Winners revealed
    • The Phoblographer | Argus Estabrook Finds Stories Worth Telling by Using Intimacy
    • The Magnum and LensCulture Photography Awards 2017 Winners
    • The Magnum and LensCulture Photography Awards 2017 | Losing Face: Inside the Fall of South Korea’s President
    • Musée Magazine | Weekend Portfolio: Argus Paul Estabrook
    • 2018 Critical Mass Top 50
    • 2017 Critical Mass Top 50
    • PDN Emerging Photographer | Vol. 10, No. 1
    • CRITIC’S VIEW: Politics, Strangers & Art Not to Miss at Spring/Break 2018
  • Contact
  • CV
  • Photography
    • New >
      • A Sight More
    • Completed Works >
      • Where Do We
      • Fare Adjustment
      • A DREAM TO FIGHT FOR
      • How to Draw a Line
      • Reflections Inside The Seoul Metro
      • Stage Left
      • This Is Not an Exit
      • School Memories: The Loss in Danwon High
      • Heartfelt Welcome
      • Losing Face
      • Wrestling In The Streets Of Seoul
  • Erasure Poetry
  • Articles / Interviews / Features
    • LENSCRATCH | Argus Paul Estabrook: Half Eye, Half I
    • UP Photographers | Interview with Argus Paul Estabrook
    • Life Framer Journal | Looking Out and In With ARGUS PAUL ESTABROOK
    • LensCulture Street Photography Awards 2021 | Reflections Inside the Seoul Metro
    • ‘What life is about’: LensCulture street photography awards – in pictures
    • New narratives: BJP International Photography 2021 Award Winners revealed
    • The Phoblographer | Argus Estabrook Finds Stories Worth Telling by Using Intimacy
    • The Magnum and LensCulture Photography Awards 2017 Winners
    • The Magnum and LensCulture Photography Awards 2017 | Losing Face: Inside the Fall of South Korea’s President
    • Musée Magazine | Weekend Portfolio: Argus Paul Estabrook
    • 2018 Critical Mass Top 50
    • 2017 Critical Mass Top 50
    • PDN Emerging Photographer | Vol. 10, No. 1
    • CRITIC’S VIEW: Politics, Strangers & Art Not to Miss at Spring/Break 2018
  • Contact
  • CV
ARGUS PAUL

A Sight More


I heard myself screaming, falling toward the earth. Suddenly, the roller coaster eased off, and I recognized the Seoul skyline. Fear gave way to joy while the wind streaked tears across my face. I was finally home! How was this possible?

Then I woke up. It was the kind of dream that felt hopeful while in it, but a nightmare upon waking.

Soon after, I came back to Korea to reclaim my past life. It had been four years. Stepping into my old haunts, I found they vibrated with a surreal intensity. The air swirled with ghost notes, casting never-ending crescendos. At times, it felt like my entire being was transposed into an invisible, whiplashing symphony.

​This time, the roller coaster wasn’t a dream. It was an emotion. It was an awakening in my chest, pulsing in sync with the city. Together, we were alive. But what kind of life? As a Korean-American Gyopo, was I truly born between the cracks of shadows and storms I couldn't name? Was this confusion, this foreignness, the only light through which I could feel?

I returned home thinking it would be a sight for sore eyes. Instead, I found it a sight more than I remembered. A sight more than I was ready to confront. And a sight more of myself in the chaos than I am still ready to admit.

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Pull Back the Curtain
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Send In the Clowns
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Five Four Three Two
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No Business Like Show Business
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The Conductor
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Exile on Seoul St
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Dart a Glance
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Love Bombs Away
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Karaoke Burnout
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If Wishes Were Horses