ARGUS PAUL
  • Photography
    • Current >
      • Where Do We
    • Completed Works >
      • Fare Adjustment
      • A DREAM TO FIGHT FOR
      • How to Draw a Line
      • Reflections Inside The Seoul Metro
      • Stage Left
      • This Is Not an Exit
      • School Memories: The Loss in Danwon High
      • Heartfelt Welcome
      • Losing Face
      • Wrestling In The Streets Of Seoul
  • Erasure Poetry
  • Articles / Interviews / Features
    • LENSCRATCH | Argus Paul Estabrook: Half Eye, Half I
    • UP Photographers | Interview with Argus Paul Estabrook
    • Life Framer Journal | Looking Out and In With ARGUS PAUL ESTABROOK
    • LensCulture Street Photography Awards 2021 | Reflections Inside the Seoul Metro
    • ‘What life is about’: LensCulture street photography awards – in pictures
    • New narratives: BJP International Photography 2021 Award Winners revealed
    • The Phoblographer | Argus Estabrook Finds Stories Worth Telling by Using Intimacy
    • The Magnum and LensCulture Photography Awards 2017 Winners
    • The Magnum and LensCulture Photography Awards 2017 | Losing Face: Inside the Fall of South Korea’s President
    • Musée Magazine | Weekend Portfolio: Argus Paul Estabrook
    • 2018 Critical Mass Top 50
    • 2017 Critical Mass Top 50
    • PDN Emerging Photographer | Vol. 10, No. 1
    • CRITIC’S VIEW: Politics, Strangers & Art Not to Miss at Spring/Break 2018
  • Contact
  • CV
  • Photography
    • Current >
      • Where Do We
    • Completed Works >
      • Fare Adjustment
      • A DREAM TO FIGHT FOR
      • How to Draw a Line
      • Reflections Inside The Seoul Metro
      • Stage Left
      • This Is Not an Exit
      • School Memories: The Loss in Danwon High
      • Heartfelt Welcome
      • Losing Face
      • Wrestling In The Streets Of Seoul
  • Erasure Poetry
  • Articles / Interviews / Features
    • LENSCRATCH | Argus Paul Estabrook: Half Eye, Half I
    • UP Photographers | Interview with Argus Paul Estabrook
    • Life Framer Journal | Looking Out and In With ARGUS PAUL ESTABROOK
    • LensCulture Street Photography Awards 2021 | Reflections Inside the Seoul Metro
    • ‘What life is about’: LensCulture street photography awards – in pictures
    • New narratives: BJP International Photography 2021 Award Winners revealed
    • The Phoblographer | Argus Estabrook Finds Stories Worth Telling by Using Intimacy
    • The Magnum and LensCulture Photography Awards 2017 Winners
    • The Magnum and LensCulture Photography Awards 2017 | Losing Face: Inside the Fall of South Korea’s President
    • Musée Magazine | Weekend Portfolio: Argus Paul Estabrook
    • 2018 Critical Mass Top 50
    • 2017 Critical Mass Top 50
    • PDN Emerging Photographer | Vol. 10, No. 1
    • CRITIC’S VIEW: Politics, Strangers & Art Not to Miss at Spring/Break 2018
  • Contact
  • CV
ARGUS PAUL

This is not an Exit


​The phone rang. I remember thinking something was already wrong. Because of our time difference, Mom never called me in the evenings unless there was an emergency. In a desperate tone, she told me that my father had suddenly been hospitalized.

It was pancreatic cancer. Growing undiagnosed it had already entered Stage 4 and was considered extremely aggressive. With a heavy heart, I quit my job in Seoul and 36 hours later found myself on a flight bound home to America. 

I was shocked and confused to see my father at the hospital in this unexpected weakened state. Trying to make sense of the situation, I immediately began making a record. The need to preserve his remaining life was overwhelming and became my way of resisting the inevitable. Each click felt like I could stop time, no matter how painful, if only for a moment. As Dad recounted his memories and regrets, it also granted me a deepened emotional space to bond both with him and my mother. Their hearts were tied together, always and forever. After his passing, a sense of hopelessness took hold of her, making it difficult to speak her feelings. Seeking a way to facilitate delicate but necessary conversations, I showed her my images and listened to her thoughts. Writing them down as we looked over the photographs started a journey of reflection for both of us. 

The resulting document is one of vision and voice. Bound together through a personal process of grief, I hope they’ve created an emotional map, one that reveals our connectedness to each other while also furthering an understanding for all those navigating the loss of a loved one. 

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​"Sometimes I feel like I am in a bad dream."
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​"Everything is aimless and hopeless. I have lost my direction and I don’t know where to go."
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"Your dad was suddenly lying there in a hospital room. The man I loved."
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"I just wanted to share his pain. If I could take all of his pain, I would."
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"He accepted he was dying and often asked me to read the bible to him. He never did before."
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"Gently touching his skin, I could feel his lumps. His body was changing so we had to change, too."
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"Even though he was sick, he wanted to be a man and do things on his own."
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"He was a very good man and he tried his best to give me a good life. He always listened to me."
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“Taking care of him had been a full-time job but if I had one more chance, I’d do it all over again."
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"Every night I prayed to cure his disease, to cure his cancer. I was hoping for a miracle."
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"We were always together. I was always beside him."
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"He only made it 3 weeks. It was hard to accept that he had died that fast."
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"I’m trying to find hope but inside still echoes emptiness. I want a way out of my emptiness.”